Skip to Main Content
Skip Nav Destination
ASME Press Select Proceedings

International Conference on Future Computer and Communication, 3rd (ICFCC 2011)

No. of Pages:
ASME Press
Publication date:

Entered into Dan Voiculescu's chronological catalogue among the last finalized titles (July, 2009), Fantasia e Fuga sulle pedale per organo requires a simultaneous analytical reading, both from the perspective of the Baroque and modernity, being built upon a vectorial algebra of the music intervals employed. The stylistic bivalence of the entire piece is also reflected in the type of grammars used in modeling this novel opus; while the author applies a traditional grammar for the form shaping, by designing the discourse according to an early Baroque formula, he resorts to a generative grammar, typical for 20th century music, for...

Key Words
1. Fantasia e Fuga sulle pedale, between Baroque and Modernity
2. Morphological and Stylistical Aspects
3. The Impact of the Morphologic Algebra over the Macrostructure
4. Conclusion
This content is only available via PDF.
You do not currently have access to this chapter.
Close Modal

or Create an Account

Close Modal
Close Modal